In the big universe of Raj Comics, ‘Goj’ (Gojo) has been a hero whose thinking and concept in itself were quite different and a little complex. While most heroes fought only with their own strength or weapons, Gojo had seven different divine powers. These powers could come out of his body and fight separately if necessary.
The comic ‘Gojo Ko Khojo’, written by Tarun Kumar Wahi and illustrated by Gopal Nandurkar, is a very important link in this series. This story is not limited to just action, but it also has a touch of suspense and light horror, which makes it very popular among children and teenagers.
Significance of the Title
The comic title ‘Gojo Ko Khojo’ simply points to the biggest twist of the story. In the middle of the story, Gojo begins to mysteriously disappear—his body parts stop appearing one by one. This situation becomes a big challenge not only for Gojo, but also for his loyal vehicle ‘Mankot’ and his seven powers. The same question starts echoing throughout the empire about where Gojo went and how to bring him back. This mystery makes the title completely correct and meaningful.
Detailed Analysis of the Story
Witchchild Terror:
The story starts in a very scary and violent manner. ‘Witchbaby’, a winged monstrosity whose nails are extremely long and poisonous, is preying on innocent humans and soldiers. She not only kills them, but also has no hesitation in tearing out their body parts and eating them. According to the comics of that period, all this was quite dark and shocking. When Prince Balushahi of Imli Nagar sets out to confront this demon, he himself gets into big trouble.
Gojo’s Intervention:
At the right time, Gojo reaches there riding on his vehicle, Mankot. Here, he uses his two powers—‘Exterminator’ (immense strength) and ‘Catauria’ (leopard-like agility and aggression). Gojo defeats the Witchbaby badly and cuts off her nose as punishment. This humiliation fills the witch’s heart with the fire of revenge.
Monster Big and Gojo ‘Missing’:
After her defeat, the Witchbaby reaches her elder brother, ‘Monster Big’, who is a giant green monster. The demon Bada attacks Gojo using his magical powers, due to which Gojo’s body gradually starts becoming invisible. The part between pages 13 to 15 is extremely exciting, where Gojo himself gets nervous after seeing his disappearing arms and legs. He understands that a great danger is approaching, so he takes all seven of his powers out of his body, leaves them under the leadership of Mankot, and himself disappears completely.
‘Ped’’s Attack and Coordination of Powers:
The monster sends a giant, many-mouthed worm named ‘Pedun’ to wreak havoc in the city after Gojo disappears. Here, the focus of the story completely shifts to Gojo’s powers. Exterminator, Gurughantal, Bijlika, Shakal, Billauria, Judoka, and the Third Eye together face Pedun. This part shows how organized and trusting of each other Gojo’s powers are, even without him. Especially with the fire of the Third Eye and the cleverness of Gurughantal, Pedun is finally defeated.
Climax: Marriage Trap and Gojo’s Cleverness:
The demon Bada imprisons Gojo’s missing body parts in his palace. He places a condition before Gojo that if he marries his sister Witchbaby, he will return his body. Without his powers, Gojo, now weakened, uses his intelligence and agrees to the marriage. As soon as demon Bada restores Gojo’s body through mantras, Gojo’s powers—who had already located the palace under the leadership of Shakal—attack him.
In the final battle, Gojo uses a mirror to reflect the devastating fire coming from demon Bada’s eyes back at him, accidentally killing the witch. Eventually, Gojo finishes demon Bada by slamming him onto sharp pillars, and evil finally comes to an end.
Character Illustration
Gojo:
In this comic, a different form of Gojo appears—his helplessness. When he is slowly disappearing, his nervousness makes him more human. But by using the mirror in the climax, he proves that he is not only powerful but also a very intelligent warrior.
Mankot:
Gojo’s vehicle and true friend. Mankot is not just a machine, but works as a leader and a connecting link between the powers.
Witchchild:
This character is completely designed to arouse hatred. Her scary looks and habits, like eating humans, make her a memorable villain.
Monster Big:
He is a dangerous combination of power and magic. His attachment to his sister and his hatred for Gojo carry the story forward.
The Seven Powers:
Every power has its own distinct nature. The seriousness of the Third Eye and the zeal of the Destroyer leave a deep impression on the readers.
Art and Portraiture
Gopal Nandurkar’s portrayal is the real lifeline of this comic. The scenes of witches killing humans appear very scary and effective. The design of the huge insect-like Pedu, which has many eyes and mouths on its body, is very creative. When the powers fight Pedu in the action scenes, the panels feel so detailed and alive that it is difficult to take your eyes off them. The use of red-yellow colors for magical fires and Pratap Mullick’s direction in the magical backdrop of the demon’s palace are clearly visible.
Critical Commentary
Tarun Kumar Wahi maintains suspense strongly throughout the story. The disappearance of Gojo is a twist that keeps the reader engaged till the last page. The pace of the story is fast, and one does not feel bored anywhere. A fine balance of bravery and demonic pride can be seen in the dialogues.
The biggest strength of this comic is teamwork. Usually, the hero does everything alone, but here all seven powers of Gojo are given a chance to shine separately. The idea that the hero’s powers can fight without him sets Raj Comics apart from the rest of the comics of that era.
The story delivers a clear message that physical strength alone is not everything. Wisdom and patience in difficult situations—as Gojo shows by accepting marriage as a condition—are the real weapons. Plus, it is a classic story of ego breakdown.
Some Interesting Facts
This comic is one of Gojo’s earliest stories, which firmly established his assortment of powers in the readers’ minds.
Shakal flying through the sky to find Gojo on page 17 is counted among the most memorable scenes of that time.
Advertisements for this comic and its number 461 state that it was published during the busiest and most successful period of Raj Comics.
Conclusion
‘Find Gojo’ is a precious gem in the treasure of Raj Comics. It is not just a superhero story, but a wonderful combination of magical fantasy, suspense, and tremendous action. For any reader who wants to truly understand the character of Gojo, this comic is definitely worth reading.
In the final panel, when Mankot and the seven powers are absorbed back into Gojo and they fly towards Imli Nagar, the reader is filled with a strange satisfaction. This comic still feels as exciting today as it did nearly three decades ago.
