The name of the comic we are going to talk about today is “Divyastra”. This is counted among the best stories of Bhokal. This comic, published in 1997 and written by Sanjay Gupta, is not just a story full of action and adventure, but shows a test of bravery, devotion, sacrifice, wisdom, and patience that transforms Bhokal from a common hero to a true megastar.

Essence of the story: One word and one big purpose
The foundation of “Divyastra” is laid on a very emotional moment. At the beginning of the story, we get a glimpse of Bhokal’s past – how he lost both his birth mother and fairy mother. But fate gave him the love of a third mother. Initially, Bhokal considered her a witch, but that same loving mother pulled him out of death and gave him life again. While leaving, the mother tells him the secret of the divine weapons left on earth by the gods. These divine weapons were made to erase the incarnation of some great and terrible sin.

Bhokal had promised that even if he lost his life, he would definitely get those divine weapons. This promise takes this entire story forward. Bhokal’s aim is not personal, but to protect all of humanity. For this great work, he sets out towards the mysterious and scary Manism Valley, where Divyastra is hidden. His real test starts from here.

The Search for Divyastras: The Real Test of Strength, Understanding, and Character
This comic is not like a simple adventure. To reach every Divyastra, Bhokal has to face different challenges, and every time a new aspect of his personality is tested. Author Sanjay Gupta has written these examinations in such a way that every challenge becomes different and memorable.

First examination (Garuda and Sudarshan Chakra):
Bhokal’s first encounter is with a giant Garuda, who can speak like a human. There is a fierce fight between the two for a while, but then Bhokal hears the voice of his conscience and realizes that it is not an ordinary bird. He immediately stops the fight and bows down to salute Garuda. This was his real test of intelligence and humility.

Then Garuda Dev comes in his true form and tells him that he is the vehicle of Lord Vishnu, and the Lord himself had sent him to test Bhokal. He is happy to see Bhokal’s humility and gives him a special book, which will help him find the Divyastras.

With the help of this book, Bhokal reaches the Sudarshan Chakra of Lord Krishna. But the Chakra is being protected by a terrible lion. Bhokal uses his power and pushes the lion into the circle. The very next moment, the Chakra cuts the lion into pieces.

Now the real difficulty was to achieve the Chakra in front. It was revolving so fast that as soon as anyone went closer, it would pull them in and tear them apart. But Bhokal showed his wisdom here. He thought – when Lord Vishnu holds it on his index finger, the same method should be adopted. He gathered courage, moved his finger forward, and controlled the Chakra. Immediately, the Chakra calmed down and landed on his finger.

This test was not just of strength, but it tested both Bhokal’s intelligence and faith.

Second examination (trident):
The next divine weapon was the trident of Lord Shiva. But it was hidden behind an invisible wall. Bhokal gives full strength, but the wall does not break. After repeated attempts, he understands that where forceful power becomes useless, the path of devotion has to be adopted.

This is where the story takes a new turn. For the first time, Bhokal rises above physical strength and resorts to spiritual strength. He makes a Shivalinga there and starts worshiping Lord Shiva with full devotion.

But the test of devotion is not so easy! Instead of Lord Shiva, his vehicle Nandi appears, that too in a fierce form. Nandi attacks Bhokal. Here Bhokal’s courage and tolerance are truly tested. He bears every blow and bleeds, but does not give up worship and his faith.

Finally, Nandi calms down upon seeing his unwavering reverence and hands him the trident of Lord Shiva. This test shows that true devotion lies not only in worship but also in standing firm on one’s faith even in the most difficult situations.

Third test (Pinak bow):
It was written in the book that “sacrifice” is necessary to get the Pinaka bow of Lord Shiva. The condition was that the place should be anointed with the blood of a brave man. But there was no other brave man there except Bhokal.

Without the slightest hesitation, Bhokal decides to sacrifice himself for the betterment of humanity. He is about to pick up the dagger and cut his throat when Pinak Dhanush himself appears in front of him.

Actually, this was his test—can he really sacrifice his life for such a big task? And Bhokal succeeds in this examination. This was the biggest example of sacrifice and selflessness.

Fourth and fifth examinations (mace and Pashupatastra):
After this, Bhokal needs Hanuman ji’s mace. For this, he has to worship Goddess Kali. Here he is tested through a fierce battle with demons. Bhokal faces them with complete bravery and acquires the mace.

Then comes the turn of Lord Ganesha’s Pashupatastra. For this, Bhokal faces a giant beast, i.e., a bear. But here Bhokal does not rely only on his strength. He shows respect and reverence towards Ganapati, and seeing this, the bear calms down. It is clearly understood from this incident that not every problem is solved by sword or fight. Sometimes reverence, respect, and the right attitude can eliminate even the most difficult obstacles.

Final examination (Vajra):
At last comes the turn of Indra Dev’s thunderbolt. For this, Bhokal faces snakes and humans. They are protecting an ascetic sage. Bhokal fights them, but takes full care that no one dies and the sage’s penance is not broken.

This was the real test of both his restraint and fighting skills. Seeing this behavior of Bhokal, Indra Dev becomes very happy and offers him a thunderbolt.

Art and portraiture
The biggest strength of this comic is its artwork, which has been created by Kadam Studio. The special identity of Raj Comics of the nineties is visible here at its peak. Bhokal’s powerful body, his golden wings, and facial expressions look so alive that while reading it seems as if everything is happening in front of the eyes.

Action scenes are amazing, whether it’s a war in the air with Garuda, a brutal fight with Nandi, or a bloody fight with demons. Every scene is tremendous and full of thrill. The depiction of divine weapons is also wonderful, especially the fast speed of Sudarshan Chakra and the divine glow of the Trishul are worth seeing.

The use of colors is bright and extremely attractive, which gives more depth to the mythological and fantasy atmosphere of the story. The layout of the panels is so good that the pace of the story never slows down, and the reader does not feel bored even for a moment.

Writing and messaging
The backbone of this comic is its writing, which has been created by Sanjay Gupta. He filled the search for a simple purpose, Divyastra, with so much depth and layers that the story became not just an adventure, but an inspirational saga.

The dialogues are short, have a direct impact, and fit perfectly for the nature of each character. But the real treasure of this comic is its message. It shows that physical strength alone is not enough to become a real hero. A true hero is one who has qualities like intelligence, humility, devotion, sacrifice, respect, and restraint.

Bhokal passes all these examinations and stands as an ideal in front of the readers.

Overall, this comic is a spectacular celebration of Indian culture and mythology. Reading it makes us realize how much depth there is in our old stories and how many big inspiring messages we can find in them.

Conclusion
“Divyastra” is not just a comic, but an entire epic story. It gives more depth to Bhokal’s character and makes him one of the most mature and powerful heroes of Raj Comics. It has tremendous action, exciting adventure, the fun of fantasy, and also a beautiful combination of spirituality. The story progresses quickly, the artwork is excellent, and its message is heart-touching.

This comic is read today with the same freshness and impact as it was in its era. It is a journey of nostalgia for the old readers, while a great opportunity for the new generation to connect with the world of Indian superheroes.

If you want to read a story that takes you on an exciting journey and also teaches you moral values, then definitely read “Divyastra”. This Raj Comics gem is the shining star of the golden era of comics, which always reminds us why Bhokal still holds a special place in the hearts of comics lovers.

The post Divyastra Raj Comics Review: Bhokal’s Deadly Quest – Who Must Die for the Divine Weapon? appeared first on comicsbio.com.

“एंथोनी चला बाय” सिर्फ एक कॉमिक्स नहीं, बल्कि ऐसा किस्सा है जो पाठक को एंथोनी के दर्द, उसके प्रेम और बलिदान की गहराई तक ले जाता है। राज कॉमिक्स के बड़े ब्रह्मांड में एंथोनी एक अलग और दुखभरा नायक है – एक ‘जिन्दा मुर्दा’, जो अपनी अलौकिक ताकत होने के बावजूद अपने परिवार को सामान्य जीवन की खुशियाँ नहीं दे पाता। इस कॉमिक्स का नाम ही बता देता है कि इसमें विदाई छिपी है – और ये विदाई बेहद भावुक और यादगार है।

प्रसिद्ध लेखक तरुणकुमार वाही की ये कहानी सिर्फ एक्शन और रोमांच नहीं है, बल्कि इसमें इंसानी रिश्तों की नर्मी, पितृत्व की तड़प और प्रेम की मजबूरी भी दिखाई देती है। ये किस्सा कॉमिक्स “दोस्त और दुश्मन” की आगे की कड़ी है, जहाँ पहले ही पात्रों के बीच खिंचाव और टकराव दिखाया गया था।

कथावस्तु का गहन विश्लेषण

कहानी की शुरुआत वहीं से होती है जहाँ एंथोनी अपने दोस्त कौए ‘प्रिंस’ के साथ अपनी कब्र के पास है। वह अपनी बेटी मारिया और पत्नी जूली के लिए परेशान रहता है, लेकिन अपनी असली पहचान बताने में असमर्थ है। असली टकराव तीन किरदारों के बीच है – जूली, जो पति की मौत के बाद अकेली माँ की तरह अपनी बेटी के भविष्य की चिंता कर रही है; मारिया, जो अपने पिता के प्यार के लिए तरस रही है; और माइकल, जो दोस्त बनकर जूली और मारिया की जिंदगी में दाखिल होता है।

कहानी में मोड़ तब आता है जब माइकल अपने गुंडों को जूली के घर भेजता है और खुद हीरो की तरह आकर उसे बचाता है। जूली को लगता है कि माइकल अच्छा इंसान है और उस पर भरोसा करने लगती है। ये सब एंथोनी देख रहा होता है, लेकिन कुछ कर नहीं पाता। वो अंदर से गुस्से और बेबसी से भर जाता है, क्योंकि अपने परिवार की रक्षा करने वाला वह खुद नहीं, बल्कि कोई बाहरी आदमी है।

सबसे भावुक पल तब आता है जब मारिया नींद में अपने पिता की खुशबू पहचानती है और “पापा! पापा!” कहकर माइकल से लिपट जाती है। ये दृश्य एंथोनी के टूटे दिल और पिता की मजबूरी को साफ दिखाता है। इसे देखकर जूली फैसला करती है कि वह मारिया को एक पिता देगी। माइकल इसी मौके का फायदा उठाकर शादी का प्रस्ताव रख देता है।

अब एंथोनी के सामने सबसे बड़ा इम्तिहान खड़ा हो जाता है – एक तरफ उसका प्यार, जो उसे जूली को किसी और के साथ देखने नहीं देता, और दूसरी तरफ उसकी बेटी की खुशी, जिसके लिए एक पिता का सहारा जरूरी है। इंस्पेक्टर इतिहास के साथ उसकी बातचीत इस संघर्ष को और गहरा करती है। आखिरकार, एंथोनी अपनी बेटी की खुशी के लिए खुद को त्याग देता है और जूली को माइकल से शादी करने की अनुमति देता है।

कहानी का क्लाइमेक्स जूली और माइकल की शादी वाले दिन आता है। इंस्पेक्टर इतिहास वहाँ माइकल की असलियत खोल देता है कि वह दरअसल ‘एजेंट फिफ्टी’ नाम का अपराधी है। सच सामने आते ही एंथोनी अपने असली डरावने रूप में आकर अपने परिवार को बचाता है। आखिर में, जूली और मारिया को सुरक्षित देखकर एंथोनी सबको “बाय” कहकर हमेशा के लिए विदा ले लेता है।

चरित्र-चित्रण

इस कॉमिक्स की सबसे बड़ी ताकत इसके किरदार हैं। एंथोनी का किरदार एक क्लासिक दुखभरा हीरो है। उसके पास अपार ताकत है, लेकिन वह अपने परिवार के सामने लाचार है। उसका दर्द, उसकी मजबूरी और आखिरकार उसका बलिदान उसे राज कॉमिक्स के सबसे यादगार पात्रों में शामिल कर देता है। दूसरी तरफ, जूली और मारिया इस कहानी की भावनात्मक नींव हैं। जूली का माँ और पत्नी के बीच का संघर्ष और मारिया की मासूम तड़प कहानी में गहराई जोड़ती है। खलनायक माइकल का किरदार भी दमदार है, जो दिखाता है कि सबसे बड़ा खतरा अक्सर दोस्त के नकाब में छिपा होता है। इंस्पेक्टर इतिहास भी अहम है, जो समाज की सख्त हकीकत का प्रतीक है और एंथोनी के साथ उसके संवाद कहानी को दार्शनिक छाप देते हैं।

कला और प्रस्तुति

नरेशकुमार और तौफीक की पेंसिलिंग ने किरदारों की भावनाओं को जिंदा कर दिया है। खासकर एंथोनी के चेहरे का दर्द, जूली की आँखों के आँसू और मारिया की मासूमियत कमाल की लगी है। एक्शन के सीन शानदार और जोश से भरे हुए हैं। वहीं, भावुक पलों में पैनलों का संयोजन कहानी की रफ्तार को सही बनाए रखता है। टी.आर. आजाद का रंग और कैलीग्राफी राज कॉमिक्स की पुरानी क्लासिक झलक दिखाते हैं। एंथोनी के दोस्त कौए ‘प्रिंस’ के जरिये भावनाओं को दिखाना (जैसे क्रॉस गिराना) भी कला का बेहतरीन नमूना है।

विषय और गहरा अर्थ

“एंथोनी चला बाय” बलिदान, प्रेम और धोखे जैसे गहरे विषयों को छूती है। इसका सबसे बड़ा संदेश यही है कि सच्चा प्रेम अक्सर त्याग में छिपा होता है। एंथोनी अपनी खुशी से पहले अपनी बेटी की खुशी चुनता है। ये कहानी पिता होने का मतलब भी नए तरीके से समझाती है – कि पिता होना सिर्फ पास खड़े रहने तक सीमित नहीं, बल्कि अपनी संतान की भलाई सुनिश्चित करना है, चाहे इसके लिए खुद दूर क्यों न होना पड़े। माइकल का किरदार ये दिखाता है कि कैसे लोग विश्वास का गलत फायदा उठा सकते हैं। और सबसे अहम बात, ये कॉमिक्स बताती है कि भावनाएं कितनी भी गहरी हों, समाज के बनाए नियम अक्सर उन पर भारी पड़ते हैं।

निष्कर्ष

“एंथोनी चला बाय” राज कॉमिक्स के इतिहास की एक यादगार कड़ी है। ये सिर्फ हॉरर या सुपरहीरो कॉमिक्स नहीं, बल्कि एक पारिवारिक ड्रामा है जो दिल को छू जाता है। तरुणकुमार वाही ने ‘जिन्दा मुर्दे’ के इस किरदार को इतना जीवंत बना दिया है कि पाठक उसके दर्द को महसूस करता है। यह कहानी एंथोनी को एक संपूर्ण और भावुक अंत देती है, जो हमेशा याद रहेगा। यह कॉमिक्स हर उस पाठक के लिए जरूरी है जो एक्शन और रोमांच से आगे बढ़कर भावनाओं और सोच से भरी कहानी पढ़ना चाहता है। ये साबित करती है कि भारतीय कॉमिक्स इंसानी रिश्तों और भावनाओं को कितनी गहराई से दिखा सकती हैं।

The post कॉमिक्स समीक्षा: एंथोनी चला बाय – राज कॉमिक्स का भावुक और यादगार किस्सा appeared first on comicsbio.com.

Parmanu is the eye of Delhi who is always engaged in finding and eliminating every threat. Sometimes as Inspector Vinay and sometimes as Parmanu. But even then some daring criminals dare to commit crime and then begins the war between Parmanu and them. Small criminals may stop their activities but there are some super villains who neither sit in peace nor let the people of Delhi sit in peace. They get beaten up by Parmanu and go to jail again and again but then escape from there and start committing crime. We are going to tell about some such stubborn criminals below and if you know anyone else then do tell us in the comment.

Nashketu

It is an unchangeable law of nature that everything is perishable—whether living or non-living. Some things decay in just a couple of days, while others take thousands of years. For example, a living being may decompose in three to five days, while iron takes years to rust away.

But what if this entire process could be fast-forwarded and completed in just a few seconds by a single human? That one person is Nashketu.

This is a line from the Nashketu comic, where this time Shakti joins forces with Parmanu. And their enemy—or rather, arch-enemy—is none other than Shani, i.e., Nashketu.

Nashketu possesses a terrifying power: the ability to rot or decay any object or living being simply by touching it. He received this power after being struck directly by a celestial lightning bolt, which altered him forever.

In the beginning, Nashketu is shown as a frightened and confused individual. But when he comes into contact with a fake saint named Mahaketu, he becomes aware of the true extent of his powers. From that point on, he begins walking the path of evil.

Even Parmanu and Shakti, who arrive to stop him, find themselves struggling against his destructive abilities.

Angar

Angora was a simple coal mine worker, living a peaceful and happy life with his family. But that peace was shattered the day his colleague Lara got trapped inside a blazing mine in a malfunctioning fireproof capsule.

To save Lara, Angora was offered ₹5 lakhs by his senior—on the condition that he would enter the burning mine using another capsule and rescue Lara. Hoping to rid his family of poverty, Angora agreed.

He went deep into the fiery mine, rescued Lara by placing him into a working fireproof capsule, and when he tried to get in himself, he was betrayed. The capsule shot upward, leaving him behind.

Angora screamed, begged for help, cried out—but no one listened. With no other option, he hid inside the damaged capsule and waited for death. But death never came.

The gases from the coal and the chemicals being continuously sprayed to douse the fire interacted with his body in mysterious ways. Fate and nature transformed an ordinary man into Angar—a man of fire and fury.

Escaping from the mine was no longer a challenge for him.

When he came out, he discovered that his family had received nothing—not a single rupee. Poverty and hunger had claimed their lives.

Burning with revenge, he set out in search of Lara and reached Delhi—where he eventually had a fierce encounter with Parmanu and Pralayanka.

Gunakar

Professor Richmond was conducting an experiment to study the effects of nuclear radiation on the human body. To do this, he deceitfully tricked his own two assistants into entering the chamber where the experiment was about to begin. However, when Richmond tried to shut the door from the outside, it wouldn’t close. Curious, he stepped inside the chamber to check—but the moment he did, the door automatically sealed shut, trapping him along with his assistants.

The experiment began, and Richmond’s body was bathed in the intense glow of radiation. When he regained consciousness, his body was scorched and severely damaged—but along with that, he had gained a terrifying new power.

Now, whenever his body came in contact with an electric current, he could create multiple clones of himself.

Gunakar and Parmanu faced each other for the first time in the Gunakar comic. Parmanu quickly figured out Gunakar’s weakness—electricity itself. If he was kept away from any electrical source, he would be unable to create clones and would remain just a normal human being.

So, Parmanu targeted the battery attached to Gunakar’s back—the very source of power that allowed him to multiply himself—and destroyed it. Gunakar was left helpless and had no choice but to flee.

Just as Parmanu was about to capture him, a mysterious net-like force appeared out of nowhere and whisked Gunakar away. The whole event remained a mystery for Parmanu—just like the sudden disappearances of Hyena and Phandebaaz, who had also vanished right before his eyes under equally mysterious circumstances.

Itihaas

Some people make history, some write it… but some go as far as to call themselves history—like this man, one of the deadliest villains in Parmanu comics.

Itihaas is actually a man named Mahendra Singh. His unique power lies in resurrecting historical objects and warriors—bringing them back to life. How he acquired this ability remains a mystery to this day.

In the comic Hukumat, we learn that he has a twin brother named Surendra Singh and a daughter named Ghazal, born before he turned to a life of crime. However, Itihaas never learns about his daughter’s existence, as after the death of his wife, it is his brother who raises the child.

Itihaas attempted to loot and devastate Delhi, and pushed Parmanu to the brink of death multiple times. On one occasion, he even threw Parmanu back into the past.

But when he discovers that Parmanu had once saved his daughter’s life, he lets him go.

Itihaas is not just intelligent and powerful—he is counted among Parmanu’s most dangerous enemies.

Ratan Daga

Ratan Daga is one of Parmanu‘s most cunning enemies—one who knows that Inspector Vinay is actually Parmanu, yet has never revealed this secret to anyone. Why? That remains a mystery.

For Ratan Daga, wealth is his only god, and for money, he sees no distinction between right or wrong. He has dabbled in nearly every illegal activity imaginable.

In pursuit of wealth, he even aligned himself with Professor Kamal Kumar—after discovering that he was the mind behind creating super-powered beings like Parmanu and Pralayanka. Observing the professor’s capabilities gave Ratan the idea to make billions by creating his own army of superheroes.

But Ratan neither had the knowledge nor the means. So, he tried to lure Professor Kamal Kumar with the promise of unimaginable wealth. However, this turned out to be his first big mistake—the professor insulted him and threw him out of the lab.

Burning with humiliation and revenge, Ratan vowed to enslave the professor, force him to his knees, and make him create superheroes who would obey Ratan’s every command.

He tried hundreds of ways to kidnap the professor—hiring supervillains, even manipulating the professor’s wife into an affair to blackmail him. But each time, Parmanu foiled his plans.

In the process, Ratan discovered that Inspector Vinay is Parmanu, and that the professor’s secret lab was hidden beneath his own house from where he monitored all of Delhi.

But this information was of no use to Ratan. In a foolish attempt to trap Vinay, he ended up killing the professor’s wife—his own lover. This enraged Vinay, who went mad with grief and began hunting down his aunt’s killer.

Eventually, Parmanu gathered enough evidence and had Ratan Daga thrown into jail.

Their first encounter happens in the comic Kaanch Ka Parmanu, where Ratan tries to abduct Professor Kamal Kumar through Mr. Rasayan and sends the professor’s wife as a spy to find the lab—but Parmanu ruins his plan.

Ratan doesn’t give up. He returns in Chalti Phirti Maut and Parmanu Ki Maut, teaming up with villains like Blaster and Topilal. But again, Parmanu not only defeats him, but also sends him to jail for the murder of his aunt.

Ratan Daga comes back once more in Vigyan Mera Ghulam, where he funds a criminal organization named CNN and hires Mechanic, a supervillain, to break him out of jail. Although Parmanu causes some obstacles, Ratan’s new ally Nutano handles the situation.

After escaping prison, he again sets his sights on Professor Kamal Kumar and tries to raid the old lab. However, he’s unaware that during his time in jail, a conflict between Dr. Virus and Dr. Danger had already set off major changes—you’ll need to read Soorma to know more.

Still unrelenting, Ratan abducts Anees, a friend of Inspector Steel who was arriving in Delhi to help the professor. This forces Parmanu to surrender the professor to save Anees.

In Vigyan Mera Ghulam, Ratan Daga takes on both Parmanu and Inspector Steel—and nearly wins, using nothing but his brilliant mind. At one point, he even manages to turn Steel against Parmanu!

But in the end, Parmanu defeats him once again, sending him back to prison. After that, Ratan Daga hasn’t appeared in any further comics.

Tirchhi Topi

Tirchhi Topi – another unusual enemy of Parmanu, whose unique power lies in his hats. But these aren’t just fashion statements — he turns them into deadly weapons. One hat shoots lasers, another sprays acid, while yet another hides a cyanide-tipped needle. Every hat is a trap.

Tirchhi Topi made his first appearance in the Raj Comics title “Tirchhi Topi”, named directly after him. He also returned in another comic called “Tirchhi Chaal”, which gave readers a glimpse into his tragic past — and how he was shaped into a criminal.

His childhood was marked by poverty and pain. He lost his father at an early age and never received the love of a mother, because his mother used to stitch hats for a famous magician named Datya Tope. This magician used those hats in his stage shows and also wanted to marry her. When she refused, he started torturing Tirchhi Topi — both physically and mentally. This constant abuse during childhood eventually pushed him toward a life of crime.

He wasn’t alone. His brother Pagger joined him in his criminal pursuits. They first came under Parmanu’s radar when, during a magic show at a high-profile party in Delhi, they kidnapped a girl and demanded jewels worth crores in ransom. Naturally, this was Parmanu’s city, and stopping the crime became his mission — which he succeeded in.

In the end, when cornered, Tirchhi Topi was even forced to kill his own brother to escape.
A villain shaped by trauma, clever with tricks, and twisted by fate — Tirchhi Topi remains one of the most tragic and eccentric foes in Parmanu’s rogue gallery.

Buddhipalat

In the outskirts of Delhi lies a village called Kanjhawla. Out of nowhere, a 6-year-old boy becomes the talk of every newspaper — his name is Brenu. He looks like any other ordinary child, but with his gaze, he can bend spoons and knives… place his hand on the sick, and they’re healed. People begin to call him “Buddhipalat” — the miracle boy who can move objects with his mind.

But things take a dark turn when the zamindar’s son drowns, and suspicion falls on Brenu. In blind rage, the zamindar brutally whips him, and in the chaos, Brenu’s mother dies. Locked in a cage, starving and left for dead, the boy is abandoned… until a ruthless thief rescues him that very night.

That night changed everything. The trauma of losing his mother and the unexpected kindness of a thief transformed Brenu into a mastermind of psychological crime. His goal? Steal for his cruel uncle, who had no affection for him — only greed.

Anyone who stood in his way, Brenu would trap them in mental illusions, manipulating their minds so deeply they’d be driven to suicide.

At one point, even a nuclear scientist nearly became his victim — barely escaping.
Buddhipalat, a deadly enemy of Parmanu, doesn’t rely on weapons or a team.
He himself is the weapon — and perhaps the most dangerous one of all.

Principal

Principal – the villain of Parmanu, who stands out completely from the rest. He doesn’t just commit crimes — he teaches crime!

Yes, he runs a bizarre “Crime College” where he trains aspiring criminals on how to outsmart the police and superheroes.

He makes his debut in the comic Crime College, where superheroes like Wonderman and Parmanu confront him. His greatest weapon? His brilliant mind — he always comes up with new and deadly schemes.

The writers haven’t revealed much about his backstory or personal life, but one thing is crystal clear: money is his only real motivation. He clashes with Parmanu and chases wealth with equal passion.

This is also seen in Pakistan Zindabad, where all villains turn patriotic — yet Principal, driven by greed, still teams up with the enemy Khamir Khan and double-crosses his own people.

Principal doesn’t follow any ideology, nor does he care about the country — money is the only thing he values. And that’s exactly what makes him one of the most dangerous and selfish villains in the Raj Comics universe.

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