The ‘Ashwaraj’ series published by Raj Comics holds a special place in the world of Indian comics. The fifth part of this series, “Phir Aaya Ashwaraj,” is not just an adventure story, but it contains such a mixture of mysteries like imagination, heroism, deception, and rebirth that the reader remains bound till the end of the story.
There is a very experienced team behind the success of this comic. Writer Meenu Wahi and screenwriter Tarun Kumar Wahi have together created a story that is the bridge between the mythological and imaginary worlds. Editor Manish Gupta did not let the flow of the story slow down anywhere.
The most special thing is its painting. The pictures made by Chandu under the direction of the great Pratap Mulik are amazing. Pratap Mulik’s distinct identity in the comics of the 90s was the muscles of the characters, the expressions of anger and bravery on their faces, and the brilliant depiction of action scenes. In this issue, Ashvaraj’s different looks and war scenes have been made so lively that even today they impress.
Story expansion and conflict
The story begins where the previous issue ended. Ashvaraj is on his journey, and the disciples of Maharishi Fook-Masan are standing in his way. This time he encounters Scorpio (scorpion-man) and Sagittarius (arched horse-man).
This part of the war is very exciting. Five special horses of Ashvaraj are very important here. When Scorpio makes his poisonous attack, Neelkanth (a special horse of Ashvaraj) drinks it, as he has the power to absorb the poison. Ashvaraj uses his willful powers to take the form of Scorpio and defeats him in his own style. This willful power makes him different from other superheroes.
The Secret and Emotional Depth of Reincarnation
A large part of the comic shows the story of Ashwaraj’s rebirth. Maharishi Phuk-Masan tells Raja Chinta Singh that Ashwaraj was born again to Suryavanshi emperor Tarpidro. According to the boon given to Queen Makai, Ashvaraj will be born from her womb for seven births.
Here, the feelings and depth of the story are visible. The love of the mother (Queen Makai) and father (Emperor Tarpidro) for their son, and the dedication of five faithful horses—Raktambar, Kalakhor, Ashwavat, Neelkanth, and Shravyashakti—to their master, makes one emotional. These horses recognize the little Ashvaraj and show their loyalty. This scene shows that true loyalty knows no bounds.
Training and the Rise of Mahabali
Ashvaraj’s childhood and training are shown under the guidance of sage Diabh and instructor Ashvakatha. The way little Ashwaraj is adept in fencing, archery, and wrestling shows his specialty. In one scene, he also shocks his trainer Ashvakatha with his art. This part fills the reader with even more respect and enthusiasm towards Ashvaraj.
The union of Princess Kudumchummi and Ashvaraj
The story takes a new turn when the chariot of Princess Kudumchummi of Chintapokli town stops due to a big rock. Not all her soldiers can move that rock. Then a foreign youth (Ashwaraj) comes there and shatters that huge rock with a single punch.
While breaking the rock, Ashwaraj’s hand gets cut, and blood starts flowing, which slightly surprises the princess. This indicates that there is an old or deep connection between Ashvaraj and Kudumchummi. The princess invites him to participate in the ‘Ashwa Marathon.’ Ashwaraj, who is still hiding his true identity, accepts this challenge. This part connects the story to the first part of the series and completes a cycle.
Villain’s Side and Suspense
On the other hand, the devil Tutabuta is seeing everything with his magic mirror. He plans to eliminate Ashvaraj and get Karun’s treasure. But the story ends on a tremendous cliffhanger—a masked person suddenly attacks Tutabuta and daggers him.
Who is this masked person? Is this Ashvaraj’s friend or a new enemy? The advertisement of the next issue ‘Pralayankari Ashwaraj’ at the end of the comic increases the curiosity of the reader.
Analysis of Characters
Ashvaraj: Protector of justice and indomitable adventurer. His power is not just physical, but also mental and magical. He is humble but extremely dangerous to enemies.
Emperor Tarpidro: A just king and loving father. Love for his son and behavior towards his enemy Ashwavatak show different aspects of his personality.
Ashvakirti: In this issue, she is imprisoned in Tilism, but her memories of deceit and betrayal maintain the tension of the story.
Horses: The most important characters despite being mute. Their senses act as a protective shield for Ashvaraj.
Writing style and dialogue
Meenu and Tarun Kumar Wahi have kept the dialogues simple and effective. Mythological words make the atmosphere of the story more dignified. Like “Hauni is strong,” “Wishful Horseman,” take the reader to the fantasy world. The dialogues of the characters clearly show their nature.
Technical analysis of painting
Chandu’s paintings make great use of shadow and light, making the scenes more lively. Especially fight scenes—dust clouds, sweat drops, weapons’ glare—all are shown very closely. The selection of colors (Sanjay Vispute) is balanced, neither too bright nor too faint, which maintains the classic feel of old comics.
Conclusion
“Phir Aaya Ashwaraj” is not just a comic book, but a testament to the creativity of the times, when stories instilled deep confidence in the heroes in the readers. This issue unlocks the old secrets of the series and lays the foundation for new adventures.
If you are a fan of Raj Comics or are fond of adventure-fantasy stories, then this comic must be in your collection. It reminds why Ashvaraj Raj is considered one of the most powerful and mysterious heroes of comics. After reading this, it is natural to wait for the next part.
